Unless you live under a pop-culture rock, it is unlikely that you haven’t heard of Phoebe Waller-Bridge, the writer, actress and brainchild behind Fleabag. Fleabag, is an Edinburgh Fringe Festival one-woman-show turned award winning television show, about the life of a messy, tragic and darkly hilarious antiheroine named Fleabag (played by Waller-Bridge).

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I first discovered the #52FilmsByWomen challenge on Twitter in 2018. As a feminist, a movie critic, and a female director, this challenge sat at the intersection between many of my passions, and I was instantly keen to learn more. The challenge, started in 2015 by Los Angeles’ Women in Film, is simple: watch one film…

Growing up in Australia, I thought the world was big. Road trips from Canberra to Sydney lasted forever. Even a ninety-minute flight to the Gold Coast was momentous and exciting. And then, aged nine, I went to America. Surely planes can’t stay up this long? It felt like the pilot was mocking us. America can’t…

It’s safe to say that UNSW’s response to the Coronavirus crisis has been less than ideal. UNSW’s failure to take swift action with shutting down the Uni, and the perceived lack of consideration for student’s well-being, particularly UNSW students studying abroad, has caused widespread discontent across the student body. There was the disregard for the…

This article was originally published on Film Inquiry and was written by Emily Wheeler, Tynan Yanaga, Jake Tropila, Jacqui Griffin, and Jo Bradley. As we take a breath and revel in those glorious Parasite wins, it’s perhaps wise to remember why this awards season felt so good. Normally we don’t get that satisfying of an ending, one…

This article was originally posted on Film Inquiry and written by Reyzando Nawara and other Film Inquiry writers. To say the last decade had been a transformative era for the development of television would be an understatement. Prestige networks like HBO, FX, and AMC kept feeding us great shows almost every day, while new competitions in the…

If The Feather in the Web is one thing – it’s audacious. Like his protagonist, a woman who does whatever she wants and is afraid of nothing, Nick Coyle’s bold new play has a fearlessness that is perfect for the Griffin Theatre Company stage. Kimberley, played by Claire Lovering, is a like a bowling ball,…

Six trembling pre-teens take the stage for the competition they have prepared for their whole lives. It’s The 25th Annual Putnam County Spelling Bee and the stakes (and nerves) are high for these academically inclined youngsters. The UNSW Theatre Society’s 2019 major production, conceived by Rebecca Feldman, written by Rachel Sheinkin with music and lyrics by William Finn, is…

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Peter Brook once said, “I can take any empty space and call it a bare stage.” He claimed that for theatre to exists, one just needs a space and an actor. Pointing out the existence of radio theatre, he insists that light is not even necessary for theatre. I’ve never seen Brook’s ideas demonstrated as…